Rawar Juba
 Rawar Juba | |
|---|---|
type of dance (en)  | |
| Bayanai | |
| Ƙaramin ɓangare na | rawa |
Rawar juba ko hambon, wadda aka fi sani da Pattin 'Juba (Giouba, Haiti: Djouba), salon rawa ne na Afirka-Amurka wanda ya haɗa da bugawa da taba hannu, kafafu, kirji, da kumatu (bugawa). Za a yi amfani da "Pattin' Juba" don adana lokaci don wasu raye-raye yayin tafiya. Ayyukan rawa na Juba na iya haɗawa da matakai kamar "Yaller Cat", "Pigeon Wing" da "Blow That Candle Out". A al'adance rawa ta ƙare tare da wani mataki da ake kira "Long Dog Scratch". A yau, Juba ta rhythm yana rayuwa a cikin Bo Diddley's "Bo Diddley Beat" da kuma matakan-nuna na Kungiyoyin Girka na Afirka.[1]
Magana
[gyara sashe | gyara masomin]Juba ya samo asali ne daga kalmar Kikongo da Bantu diuba, wanda ke nufin "don doke (ko kuma ya pat) rana ko lokaci".[2]Saboda motsi na rana wani muhimmin bangare ne na addinin gargajiya na Kongo, ya zama babban fasalin ayyukansu na ruhaniya. Wannan ya haɗa da rawa mai tsayi da ake kira giouba (wanda aka rubuta djouba). [2] Don haka, Juba da aka yi wahayi zuwa Afirka ta Tsakiya ya zama rawa wanda ya bautar da Bakongo a Amurka don kwaikwayon da'irar rayuwa da ruhaniya na kakanninsu.[3][4]
Tarihin rawa
[gyara sashe | gyara masomin]Mutanen da aka bautar suka kawo rawa na Juba daga Kongo zuwa Charleston, South Carolina . Ya zama rawa na shuka na Afirka da Amurka wanda bayi suka yi a lokacin da suka taru lokacin da ba a yarda da kayan kida ba saboda tsoron ka'idojin sirri da aka ɓoye a cikin drumming.[2]
Tun daga farkon karni na 18, rawa na Juba muhimmiyar hanya ce ta adana al'adun Afirka da ainihi a ƙarƙashin yanayin zalunci na bautar. A tsawon lokaci, ya samo asali ne a cikin al'adar wasan kwaikwayon da aka tsara, sau da yawa tare da kira da amsawa ko waƙoƙi. Daga baya a tsakiyar karni na 19, an kara kiɗa da kalmomin, kuma akwai wasan kwaikwayo na jama'a na rawa. Shahararta ta taka muhimmiyar rawa a ci gaban rawa ta zamani.[5] Mafi shahararren mai rawa na Juba shine William Henry Lane, ko Master Juba, ɗaya daga cikin masu baƙar fata na farko a Amurka. Sau da yawa ana rawa a cikin wasan kwaikwayo na minstrel, kuma an ambaci shi a cikin waƙoƙi kamar "Christy's New Song" da "Juba", wanda Nathaniel Dett ya yi.[6][7]
A cikin shekarun 1930 da 1940, mawakiyar Afirka ta Amurka Florence Price ta samo wahayi daga Juba lokacin da take rubuta waƙoƙi. Sautin da tsarin rawa, wanda ya samo asali sosai a cikin al'adun Afirka, ya shiga cikin kiɗa na kide-kide na al'ada wanda ke haɗa al'adun gargajiya da abubuwan gargajiya.
Hambone ya shahara kuma ya daidaita shi a cikin shekarun 1950 ta hanyar mawaƙa na rhythm & blues Bo Diddley don "Bo Diddley beat", wanda yawancin mawaƙa na dutse suka kwafe shi. A yau, ana nuna ragowar rawa na Juba kuma ana bayyana su a cikin fasahar wasan kwaikwayo ta Afirka ta Amirka, misalai sun haɗa da matakai, bugun jiki da nau'ikan rawa na zamani waɗanda ke girmama tarihin tarihi da juriya ga bautar. Wadannan maganganu ba wai kawai suna adana tarihi ba har ma suna nuna ikon motsi da rhythm a matsayin kayan aiki don juriya da ainihi a cikin tsararraki da yawa.
A wasu kafofin watsa labarai
[gyara sashe | gyara masomin]Waƙoƙi masu alaƙa
[gyara sashe | gyara masomin]"Juba Juba", sanannen waƙa game da Juba: [8]
- Juba dis da Juba dat,
- kuma Juba ya kashe da yellow cat, domin
- Kuna shayar da abinci kuma kuna yin amfani da husk,
- kuna yin burodi kuma kuna yin amfani da ita,
- ku ci nama kuma ku ci fata,
- kuma wannan shine hanyar,
- Matsalar mahaifiyata ta fara
Waƙar game da hambone daga Step it Down (v.s.):
- Hambone Hambone ta buge shi a kafaɗarsa
- Idan ka sami kyakkyawar yarinya, zan nuna maka yadda za a riƙe ta.
- Hambone, Hambone, ina ka kasance?
- Dukkanin duniya da kuma dawowa.
- Hambone, Hambone, me ka yi?
- Na sami jirgin kasa kuma na tashi sosai.
- Hambone, Hambone inda kuka tafi?
- Na yi tsalle zuwa ƙofar Miss Lucy.
- Na tambayi Miss Lucy za ta auri ni.
- (falsetto) "To ban damu ba idan Baba bai damu ba!"
- Na farko da ya zo shi ne Mister Snake,
- Ya yi tafiya a duk wannan kek ɗin bikin aure.
- Na gaba ya shiga shi ne Mister Tick,
- Ya ci abinci sosai har ya sa ya yi rashin lafiya.
- Na gaba ya shiga shi ne Mister Coon,
- Mun tambaye shi ya raira mana waƙar bikin aure.
- Yanzu Ham-....
- Yanzu Ham....
Manazarta
[gyara sashe | gyara masomin]- ↑ "Secular Slave Rhymes: Example 01/04 – Jim-Along Josie". CocoJams. Archived from the original on 28 June 2004. Retrieved 15 July 2026.CS1 maint: BOT: original-url status unknown (link)
- 1 2 3 Bogumil, Mary L. (1994). ""Tomorrow Never Comes": Songs of Cultural Identity in August Wilson's "Joe Turner's Come and Gone"". Theatre Journal. 46 (4): 465–467. doi:10.2307/3209070. ISSN 0192-2882.
- ↑ Cite error: Invalid
<ref>tag; no text was provided for refs named ":1". - ↑ Price, Tanya Y. (2013). "Rhythms of Culture: Djembe and African Memory in African-American Cultural Traditions". Black Music Research Journal. 33 (2): 236. doi:10.5406/blacmusiresej.33.2.0227. ISSN 0276-3605.
- ↑ "Tap Dance in America: A Short History". Library of Congress, Washington, D.C. 20540 USA. Retrieved 2026-01-16.
- ↑ "The Jackson Jubilee Singers". The University of Iowa Libraries. Archived from the original on 12 March 2007. Retrieved 15 July 2026.
- ↑ "Nathaniel R. Dett". Scriptorium, Duke University Libraries. Archived from the original on 16 November 1996. Retrieved 15 July 2026.
- ↑ "Juba Dance – Streetswings Dance History archives – Main Page". Streetswing.com. 2006-08-29. Retrieved 2009-10-19.
