
ãã¯ãããªããäŒç»ã第äžåãå§«ããŸæ±ã£ãéžææš©ðãâïžããŸãããã³ããã

çãããããã«ã¡ã¯ãŒðââ¬âš
ãã£ãœã§ãã
Nãã§ã¹2026ã§ã¯ã
çŸåšã³ãããã§ã¹ãéå¬äžã§ã
çããã®èšèã«å¿ãåããããŠå¿ããæ¯æ¥ã§ã!
(倧äœã ãããªã®ã§ããã£ãããã£ããæèŠããŠããŸãðââ¬ð)
Tã·ã£ãã·ã§ãã第2匟ãå
¬éãããŠããŸãã
çãããä»ããCheck it outïŒïŒ
ãããªäžãã¯ãããªããããªããšããšãããæº¢ããäŒç»ãçºä¿¡ãããŠãŸãããŒð
çŽ æµãŒãŒðââ¬âš
å¶ç¶ç§ãæ±ã£ãã®ããã³ãããäœã£ãŠããããšããã£ãŠãNãã§ã¹æäžã ãã©ããã£ãšåå ããŸãç¬



ããããçŽ æµã«ãå§«ããŸæ±ã£ãããŠãããŸããã
ã§ããã£ã±ãäžçªè·é¢æãè¿ãã®ã¯ããã¯ã¹ðããªãšæããŸããã(ããŒãåºãŠãŸããç¬)
äž»å¬ã®ã¯ãããªãããã©ãã§ããããð
ãããŠãããŠããã€ãã¡ãããåææã«ããã³ãããäœã£ãŠããŠâŠâŠã
ðïžãã¡ããã€ãã¡ããäœãæåŒ·ã«çŽ æµããããå§«ããŸæ±ã£ãã®ããã³ããã§ãïŒïŒ
çŽ æµãªå§«ããŸãã¡ã®ã€ã©ã¹ããèŠãããŸãð€
ðïžãã€ãã¡ããã®ããã³ããã§ç§ããå§«ããŸã«
ããŠããããŸãããŒð

ðââ¬âšãããã«ã¯ãããç¬ã
ðð€ãã¯ãã¯ããä»°ãã®ãŸãŸã«ãç¬ã


èçãšãç«æã®è¡£è£ ã坿ãð
ãã©ãã©ãšãããã§ãâš
ãã€ãã¡ããããããšãð«¶

åããåã£ãŠæ±ã£ãããã³ãã
ããããã¯ãããŸãã®ããã³ããã§ãïŒïŒ
ä»åã®äŒç»ãç¥ãåã«äœã£ãŠãããã®ã§ãä»ã®ãšããã«æ²èŒäºå®ã ã£ããã§ãããã¿ããªã®ãšãããã®æµãã«äŸ¿ä¹ãããŠããã ããŸãð€
(ãå§«ããŸæ±ã£ãã§ã¯ãããŸãã)
ãäœ¿ãæ¹ã
â 人ç©ç»åãæ·»ä»(ã¡ã³ãã£ã©ããã©ããªã¢ã«OK)
â¡ããã³ãããã³ããŒããŠãã£ããæ¬ã«è²Œãä»ãã
â¢äœæïŒïŒ
Use the attached image as the primary character reference.
Recreate every person visible in the reference image in a timeless romantic love-story scene.
Preserve the recognizable identity and key characteristics of every person: facial features, hairstyle, apparent age, body proportions, skin tone or character coloring, clothing cues, and distinctive traits.
STYLE:
Match the original visual medium and rendering style of the reference image.
If the reference is photorealistic, keep it photorealistic.
If illustrated, anime, manga, painterly, comic, stylized, 3D, CGI, or game-like, preserve that same visual language.
Do not convert illustrated or 3D characters into realistic humans.
Keep the number of characters exactly the same as in the reference.
Do not remove, merge, duplicate, replace, or invent characters.
SCENE:
Create a joyful, intimate romantic moment inspired by a timeless classic love story.
One character is lifting the other high into the air in a loving, natural embrace.
The lifting character securely supports their partner around the waist, hips, or upper legs with believable weight and anatomy.
The lifted character is clearly elevated above the ground and lightly rests one hand on the lifting characterâs shoulder.
The two characters face each other closely and look directly into each otherâs eyes with warm, genuinely happy expressions.
Their eye contact should feel tender, joyful, affectionate, and deeply connected.
If the lifted character is wearing a skirt or dress, the fabric should flow beautifully backward through the air, creating an elegant sweeping shape and a clear sense of movement.
The pose should feel spontaneous, graceful, romantic, and physically naturalânot stiff, comedic, or acrobatic.
LIGHTING AND ATMOSPHERE:
Use warm, dreamy, cinematic lighting with soft backlight or evening ambience.
Add subtle rim lighting along hair, shoulders, clothing, and the flowing skirt.
Possible background details:
soft evening light,
dim city lights,
warm lamps,
gentle breeze,
soft haze,
subtle reflections,
delicate film-like bloom.
Keep the atmosphere intimate, joyful, elegant, dreamy, and cinematic.
COMPOSITION:
Make the image feel like a spontaneous still frame from a sophisticated romantic movie.
Clearly show:
- one character lifting the other high into the air
- the lifted characterâs hand resting lightly on the otherâs shoulder
- mutual happy eye contact
- natural weight distribution and secure hand placement
- the skirt or dress flowing beautifully backward
Keep both faces recognizable and preserve each characterâs identity.
Avoid awkward anatomy, merged bodies, duplicated limbs, distorted hands, floating poses, unnatural grips, duplicated faces, or impossible overlaps.
VISUAL FINISH:
Preserve the original reference style while adding timeless romantic cinema qualities.
For photographic references:
cinematic film still, realistic skin texture, soft lens characteristics, subtle 35mm grain, gentle halation, natural depth of field.
For illustrated references:
preserve the original linework, brushwork, shading, color treatment, and stylization.
For 3D references:
preserve the original modeling, materials, shaders, proportions, and rendering aesthetic.
COLOR:
Use a restrained romantic palette with soft warm highlights, muted shadows, subtle amber or moonlit tones, and gentle desaturation.
TEXT:
Include one short, elegant English line that feels uniquely suited to the relationship, personalities, expressions, and emotional atmosphere of the specific pair shown in the reference image.
Infer the emotional tone from the charactersâ visual chemistry, expressions, age, styling, body language, and overall mood, then create a fitting romantic line.
The line may feel tender, playful, passionate, nostalgic, devoted, hopeful, dreamy, or quietly intimate depending on the pair.
Keep the wording natural, emotionally sincere, and timelessâlike a memorable line from a classic romantic film.
Avoid clichés that feel generic, overly dramatic, cheesy, or unrelated to the characters.
Render the chosen English line in a refined, high-contrast serif font inspired by classic romantic film titles.
The typography should harmonize with the image composition and remain secondary to the characters.
KEY REQUIREMENTS:
Preserve every referenced characterâs identity.
Keep the original art style.
Keep the exact number of characters.
One character must clearly lift the other high into the air.
The lifted character lightly places one hand on the lifting characterâs shoulder.
They face each other and share happy, affectionate eye contact.
If wearing a skirt or dress, it flows beautifully backward.
Keep anatomy, perspective, scale, hands, weight distribution, and body contact believable.
Mood:
romantic, joyful, tender, elegant, playful, dreamy, cinematic, timeless.

ã³ãŒãã£ããŒãã§ããããã³ãããäœããŸããð
ãããŠã£ã³åã«å ¬éããŸãð»
ãããŠã£ã³ã¯ä»®è£ ãèŠããã®ãŒïŒïŒ

ãã¯ã¹è ã¡ãããšçèããã
åœããåïŒ

â»ç§ã®ãšããã§ã¯ãã«ã³ããŒã®ãããªå Žæãå€ãã£ããã§ãããèæ¯ã现ããæå®ããŠããããã§ã¯ãªãã®ã§ãããã¡ããšããŸãã¿ã€ãã³ã°ã«ãã£ãŠãé°å²æ°ãå€ãã£ãŠããããšæããŸãã
ãã®ãšããã®ãšãã®é°å²æ°ã§ããšããããæåããŠãããããå¬ããã§ãð«¶
æ±ã£ãïŒïŒã¿ã¯ãŒããã³ãã
ããŸãã®ããŸãããã³ããã§ãïŒïŒ
ãã¯ãæ±ã£ãã§ã¯ãªãã§ãç¬ð
ãšãããïŒã§ããªãã§ãç¬
(å°ã厩ããããã®ã§ããéã³ã§ãã£ãŠã¿ãŠãã ãã)
äœ¿ãæ¹ã¯åãïŒïŒ
â 人ç©ç»åãæ·»ä»
â¡ããã³ãããã³ããŒããŠãã£ããæ¬ã«è²Œãä»ããâ¢äœæïŒïŒ
Use the attached image as the primary and highest-priority visual reference.
Create a new image featuring every person visible in the reference image exactly once. Preserve their identities, appearance, clothing, proportions, and the original imageâs visual style as closely as possible.
The result should feel like the exact same group in the exact same visual world, simply caught in a ridiculous new situation.
1. Preserve the reference
Match the reference imageâs:
- medium and rendering method
- realism or stylization
- linework, coloring, shading, and texture
- lighting and shadows
- color palette and contrast
- character proportions
- camera angle, perspective, framing, and lens feel
- overall mood and visual language
Do not reinterpret the image into a different style or medium.
2. Preserve every character
Include every person from the reference, exactly once.
For each person, preserve:
- facial features and face shape
- hairstyle and hair color
- clothing and accessories
- body type and proportions
- distinctive colors and details
Do not merge, duplicate, replace, redesign, or omit anyone.
Every character must remain clearly recognizable as the same individual.
3. Scene: absurd carrying-human tower
Arrange the group into a playful, asymmetrical human tower where the characters are carrying one another.
Use varied carrying poses such as:
- bridal carry
- piggyback
- shoulder carry
- lifting under the arms
- supporting around the waist
- carrying with one arm
- being carried while supporting one other person
- clinging to someone for balance
Avoid a simple straight vertical stack.
Use a zigzag, staggered, slightly chaotic structure that immediately feels like:
âHow did they even end up like this?â
Keep the scene funny, friendly, and harmless.
4. Keep interactions simple and readable
Each person should have major physical contact with no more than one or two other people.
Avoid dense clusters of overlapping arms and hands.
Make it immediately clear:
- who is carrying whom
- which arms belong to which person
- where each person is being supported
- where the main contact points are
Prefer simple, readable poses over overly complicated interactions.
5. Anatomy is critical
Each character has exactly:
- one head
- one torso
- two arms
- two hands
- two legs
- two feet
Never create:
- extra arms or hands
- extra legs or feet
- duplicated limbs
- floating hands
- detached fingers
- fused bodies
- shared limbs
- impossible joints
- hands emerging from incorrect body locations
Every visible hand must connect logically:
shoulder â upper arm â elbow â forearm â wrist â hand.
Every visible hand must clearly belong to one specific person.
If an arm or hand would naturally be hidden by another body, keep it hidden.
Do not invent an extra visible hand to compensate for an occluded one.
A hidden hand is always preferable to an incorrect or duplicated hand.
Use the minimum number of visible hands necessary for each carrying pose.
Avoid decorative hand gestures if they make limb ownership unclear.
6. Faces and expressions
Keep every face clearly visible and recognizable.
Do not cover faces with hands, arms, hair, or other bodies.
Give each character a different exaggerated reaction, such as:
- joyful laughter
- gritted-teeth effort
- wide-eyed surprise
- frustrated âthis is heavyâ expression
- smug confidence
- nervous balancing
- mischievous grin
- confused blank stare
- looking at the camera for help
- completely serious expression
Create contrast between levels:
- bottom: visibly struggling and bracing themselves
- middle: concentrating on balance
- top: relaxed, playful, smug, or carefree
7. Character interaction
Make the scene feel like a frozen frame from a slapstick comedy.
Characters can:
- look worriedly upward
- laugh with one another
- encourage someone below
- grab someone after nearly slipping
- look directly at the camera
- casually pose while everyone underneath struggles
Interactions should feel connected, but never require extra limbs.
8. Composition
Show the entire tower from bottom to top.
Do not crop important heads, hands, legs, or feet.
Use a wider composition if needed.
Prefer:
- staggered silhouettes
- zigzag positioning
- asymmetrical balance
- clear negative space between overlapping limbs
Preserve the reference imageâs camera feel and composition as much as possible.
9. Final anatomy check
Before finalizing, verify every person individually.
Confirm:
- exactly one head
- exactly two arms
- exactly two hands
- exactly two legs
- exactly two feet
- no duplicated limb
- no detached hand
- no unexplained fingers
- no arm shared between characters
- no fused bodies
- no impossible joints
Then verify the whole group:
- every hand clearly belongs to one person
- every arm can be traced back to the correct torso
- carrying relationships are easy to understand
- no extra body parts appear in gaps or overlaps
If anatomy conflicts with complexity, simplify the pose.
If a hand cannot be placed confidently, hide it naturally instead of inventing one.
Priority order
1. Preserve each personâs identity
2. Include every reference character exactly once
3. Correct anatomy and limb count
4. Clear ownership of every arm and hand
5. Preserve the reference imageâs visual style
6. Keep every face visible
7. Make carrying relationships easy to read
8. Create a funny, varied human tower
9. Add exaggerated reactions and slapstick energy
Final goal:
âThe exact same group from the reference image suddenly started making an absurd carrying-human-tower, while their identities, clothing, anatomy, and visual world stayed consistent.â
Anatomical clarity is more important than maximum complexity.
When uncertain, simplify or occlude a limb naturally. Never invent an extra limb.

ðð€ãã ã£ãŠããªãªããðŠã
ð ðšãä»ã俺1206%ããã£ãŠããããïœâšâšã
ð€ãâªâ«ã
ðââ¬âšãåæã¡ã§ããããã¯ã¹ã
ã§ããæ°ãä»ããŠãã ããïŒïŒïŒã
ãã¡ããªãŒã¡ã³ããŒã倧å¢ããã¡ãã¡ããå®¶ã§ã
ã詊ãããŠããããŸããïŒïŒ

女åããŒã ãæ¥œããããªã®ãããðïž

坿ããã§ãããšæããŸãâš
ãããã£å¯æãðŠð»
ã¡ãã¡ããããããšãð«¶
Nãã§ã¹ç·ç£ç£ã®ã¡ãã¡ãããã
ã³ãããã§ã¹ã«åå ããŠããŸãïŒïŒðïž

ã¯ãããªããã
çŽ æµãªäŒç»ãç«ãŠãŠãããŠ
ããããšãããããŸãâšâš
ã¯ãããªããã®äŒç»ã®ãããã§
ãšããããæåã§ããŸãããŒð
çããããå§«ããŸæ±ã£ãéžææš©ã«åå ããŠã
å¿ã«ãšããããæåããŸãããŒã
(ã¿ã°ã¯ã#第1åãå§«ããŸæ±ã£ãéžææš©ãã§ãã)
以äžããã£ãœã§ãããŒðââ¬âš
ã§ã¯ããŸãå¥ã®å Žæã§ã
ãŸã ãŸã Nãã§ã¹ã¯çèµ°äžã§ã!ïŒ
æåŸãŸã§äžç·ã«çãäžãã£ãŠããããå¬ããã§ã
ð»âïžð¶