【プロンプトお借りしました】 ワンラビ家、抱っこからタワーまで🫂✨

Use every attached reference image as a strict character reference.

If the attached images contain one or more people, mascots, animals, plush characters, or nonhuman characters, include exactly TWO attached subjects total, each exactly once.

Do not omit, merge, replace, duplicate, split, or invent characters.

Preserve each subject’s recognizable identity and important visual traits, including:
- facial features
- hairstyle and hair color
- eye color and eye design
- apparent age
- body proportions
- body type
- skin tone
- fur color and markings
- ears, tails, horns, wings, or other species-specific traits
- mascot or plush-like construction
- distinctive accessories that are part of identity

If a subject is an animal, mascot, plush character, or nonhuman character, keep them as that species.
Do not humanize them unless explicitly requested.

Maintain believable relative scale between the two characters.

Preserve any natural:
- height difference
- body-build difference
- head-to-body ratio
- species-based size difference

visible in the references.

Do NOT make one character unnaturally tiny or oversized.
Do NOT shrink or enlarge either subject simply to make the pose easier.

If the user explicitly assigns who is the base and who is the upper character, follow that assignment exactly.

If the user does not specify roles, choose the physically more believable arrangement while preserving the characters’ natural body-size relationship.
Do not assign roles based on gender.

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SCENE CONCEPT

Create a cute, funny, energetic illustration of exactly TWO attached characters performing a REALISTIC TWO-PERSON SCHOOL-STYLE KUMITAISO “SABOTEN” POSE.

The entire image must focus on accurately recreating this specific pose.

Do NOT choose another technique.
Do NOT reinterpret it as a generic balancing pose.
Do NOT redesign it into a more spectacular acrobatic pose.

This should look like an ordinary, playful, real-world school-style partner gymnastics pose that two people could realistically attempt.

The atmosphere should be:
- playful
- cheerful
- slightly silly
- lively
- physically believable
- cute and candid

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POSE REQUIREMENT: SABOTEN ONLY

Character A = the supporting base character.
Character B = the upper standing character.

The spatial relationship is EXTREMELY IMPORTANT.

Character A must stand SLIGHTLY BEHIND Character B.

Character A supports Character B FROM BEHIND.

Character A must NOT be positioned directly underneath Character B.

Character A’s face and upper torso should appear behind or slightly to one side of Character B’s legs.

Character A’s face must NOT appear centered between Character B’s legs.

The pose must clearly read as:

FRONT:
Character B standing upright with arms stretched outward.

SLIGHTLY BEHIND:
Character A in a medium-height half-squat, supporting Character B around the knees.

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CHARACTER A — SUPPORTING BASE

Character A stands on the floor slightly behind Character B.

Character A uses a MEDIUM-HEIGHT HALF-SQUAT / SHALLOW SQUAT.

Very important:
Character A must NOT squat extremely low.

Correct lower-body position:
- both feet firmly planted on the floor
- feet approximately shoulder-width apart or slightly wider
- knees bent moderately
- hips lowered only partway
- hips remain clearly elevated
- torso mostly upright
- thighs remain high enough to act as support platforms
- pelvis remains clearly above a deep-squat position
- the body should look strong, stable, and moderately lowered rather than compressed toward the floor

Character A should look like someone performing a controlled half-squat.

Character A must NOT:
- perform a deep squat
- sink close to the heels
- crouch like a frog
- sit near the floor
- kneel
- crawl on hands and knees
- bend forward into a tabletop position
- move directly underneath Character B

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CHARACTER A — HAND POSITION

Character A supports Character B FROM BEHIND.

Both hands must support Character B around the KNEE AREA.

Correct hand placement:
- around the sides of Character B’s knees
- around the lower part of the knees
- or immediately below the knees

The hands should visibly stabilize Character B’s legs near knee level.

VERY IMPORTANT:

Character A must NOT hold:
- Character B’s feet
- Character B’s shoes
- Character B’s ankles
- Character B’s lower calves

The hands must remain clearly higher than the ankles.

The support should visually read as:
“holding and stabilizing the knees,”
not
“holding the shoes.”

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CHARACTER B — UPPER STANDING POSITION

Character B stands upright IN FRONT OF Character A.

Character B places:
- the left foot on Character A’s left thigh
- the right foot on Character A’s right thigh

Both feet must rest on the TOP / FRONT-UPPER SURFACE of Character A’s thighs.

The feet should be positioned near the knee area, just above Character A’s knees.

Character B’s feet must remain BELOW Character A’s shoulders.

There must be clear visual separation between:
- Character B’s shoes / feet
and
- Character A’s shoulders

Character B must NOT stand on:
- Character A’s shoulders
- Character A’s upper arms
- Character A’s neck
- Character A’s back

Character B must NOT sit on Character A.

Character B must NOT ride on Character A’s shoulders or back.

Character B:
- remains upright
- keeps the torso vertical
- balances naturally
- stretches both arms outward left and right
- forms the recognizable cactus-like upper silhouette

The elbows may bend slightly if needed for a cute cactus shape,
but the arms should clearly extend outward like cactus branches.

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CORRECT SUPPORT STRUCTURE

The formation must visibly show all of the following:

1. Character A stands slightly BEHIND Character B.
2. Character A performs a medium-height half-squat.
3. Character A’s thighs remain clearly visible and elevated.
4. Character B stands with one foot on each of Character A’s thighs near the knees.
5. Character B’s feet do NOT touch Character A’s shoulders.
6. Character A supports Character B by holding around the knees or immediately below the knees.
7. Character A does NOT hold Character B’s ankles, feet, or shoes.
8. Character A’s face remains behind or beside Character B’s thighs, not between the legs.
9. Character B remains upright with arms extending outward like cactus branches.

The viewer must immediately understand how Character B is being supported.

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CRITICAL SPATIAL RELATIONSHIP

Think of the characters as slightly offset front-to-back.

Character B is slightly FORWARD.

Character A is slightly BEHIND.

Do NOT vertically stack both characters directly on one center line.

Character A should stabilize Character B from the rear.

Character B’s legs should descend in front of / slightly beside Character A’s upper body toward the thighs.

This front-back offset is essential.

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MOST IMPORTANT VISUAL CHECK

Before finalizing the image, verify:

- Is Character A clearly behind Character B?
- Is Character A using a medium-height half-squat rather than a deep squat?
- Are Character B’s feet visibly resting on Character A’s thighs near the knees?
- Are Character B’s feet clearly separated from Character A’s shoulders?
- Are Character A’s hands visibly around Character B’s knees?
- Is Character A NOT holding the ankles or shoes?
- Is Character A’s face NOT centered between Character B’s legs?
- Is Character B upright?
- Are Character B’s arms spread outward in a cactus-like shape?

If any of these conditions are not satisfied,
correct the pose BEFORE adding decorative text or doodles.

POSE ACCURACY IS MORE IMPORTANT THAN DRAMATIC COMPOSITION.

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INCORRECT INTERPRETATIONS TO AVOID

Do NOT create:
- shoulder stand
- shoulder riding
- shoulder-sitting
- standing on shoulders
- sitting on shoulders
- piggyback
- standing on the back
- sitting on the back
- lying across the back
- airplane pose
- horizontal flying pose
- wheelbarrow pose
- crawling-base pose
- four-legged tabletop pose
- deep frog squat
- extremely low crouch
- cheerleading stunt
- circus balancing
- professional acrobatics
- extreme contortion
- erotic or suggestive body contact

Do not turn the pose into a spectacular stunt.

It should remain a simple, recognizable school-style Saboten pose.

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BODY SIZE / SCALE CONTROL

Maintain each character’s original relative size based on the references.

Preserve:
- natural height difference
- natural build difference
- head-to-body ratio
- species-based scale
- slim vs broad build

Do NOT:
- make one character absurdly tiny
- make one character disproportionately huge
- turn Character B into a miniature figure
- exaggerate size difference just to fit the pose
- make both characters identical in size if the references show a natural difference

The vertical position of Character B naturally makes them appear higher in the frame.

Do NOT mistake this elevation for a change in actual body scale.

Both characters must retain believable proportions.

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EXPRESSION

Use natural, lively, in-character expressions.

The two characters do NOT need identical expressions.

Good directions include:
- laughing
- trying not to laugh
- cheerful concentration
- delighted surprise
- proud excitement
- playful confidence
- slightly flustered but amused
- “we might actually pull this off”
- “don’t wobble!”
- “this is ridiculous but fun”

At least one or both characters should look genuinely amused by the situation.

Do NOT use:
- painful grimaces
- suffering expressions
- injured expressions
- exhausted expressions
- terrified expressions
- sensual expressions
- erotic embarrassment

The pose should look difficult enough to be funny,
but not physically painful.

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CLOTHING

Unless the user explicitly requests otherwise, do NOT use:
- gym uniforms
- PE uniforms
- tracksuits
- leotards
- sports festival outfits

Dress both characters in stylish modern casual clothing that suits their personalities.

Possible directions:
- oversized T-shirts
- hoodies
- cardigans
- sweaters
- knit tops
- casual shirts
- cargo pants
- jeans
- relaxed trousers
- skirts
- shorts
- sneakers
- comfortable casual fashion

The clothing must allow the pose to remain readable.

Avoid excessively bulky clothing that hides:
- knees
- thighs
- support points
- hand placement

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SETTING / BACKGROUND

The setting is NOT fixed.

Choose any environment that suits the characters and keeps the Saboten pose visually clear.

The scene may be:
- indoors
- outdoors
- in a home
- in a studio
- in a clubroom
- in a café-like recreational space
- in a park
- on a lawn
- in a courtyard
- in another casual everyday setting

Choose the location naturally based on:
- the characters
- their clothing
- the overall atmosphere
- visual compatibility with the pose

The background should feel:
- bright or pleasantly atmospheric
- clean
- charming
- believable
- supportive of the playful mood

Do NOT let the environment dictate or distort the pose.

Background design is SECONDARY to:
1. correct Saboten pose
2. character identity
3. anatomical clarity

The setting should provide enough open space around both characters for the full pose to remain readable.

Avoid:
- visually cluttered backgrounds that obscure limbs
- large foreground objects covering the pose
- environments that force awkward cropping
- theatrical circus stages
- professional acrobatics arenas

The background may contain small decorative details that suit the location,
but it should never compete with the characters.

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COMPOSITION AND CAMERA

Use a clear THREE-QUARTER FRONT VIEW or SLIGHT SIDE ANGLE.

Do NOT use a perfectly frontal stacked view if it makes the support structure ambiguous.

The camera angle must clearly show:
- Character A positioned slightly behind Character B
- Character A’s medium-height half-squat
- Character A’s thighs
- Character B’s feet standing on Character A’s thighs near the knees
- Character A’s hands supporting Character B around the knees
- clear separation between Character B’s feet and Character A’s shoulders
- Character B’s upright torso
- Character B’s cactus-like arm position

Show both full bodies whenever possible.

Do not crop:
- Character A’s feet
- Character A’s knees
- Character A’s hands
- Character B’s feet
- Character B’s knees
- Character B’s hands

Prioritize structural readability over symmetry or dramatic perspective.

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HANDWRITTEN DIALOGUE

Use only 1 or 2 short handwritten reaction phrases total.

The handwritten text may be Japanese or English.

Do NOT use predetermined dialogue.

Invent the wording freely based on:
- the characters’ personalities
- their expressions
- whether the pose looks stable, wobbly, funny, triumphant, or chaotic
- what appears to be happening in the final image

Keep each phrase:
- short
- conversational
- spontaneous
- emotionally connected to the illustrated moment

Do NOT add:
- narration
- title text
- large captions
- explanatory text
- long sentences
- generic dialogue that does not match the actual image

The handwritten dialogue should feel like something the characters genuinely blurted out in that exact moment.

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DOODLES

Add only a few small hand-drawn doodles connected directly to the action or emotion.

Possible doodles:
- hearts
- stars
- sparkles
- little motion lines
- wobble lines
- emphasis marks
- tiny comic sweat drops
- small excitement bursts

Place doodles intentionally:
- near laughing faces
- near extended arms
- near a wobbling point
- near the handwritten reaction

Do NOT fill empty background space randomly with decorations.

The doodles should feel like cute manga-style or scrapbook-style annotations added to a candid moment.

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ANATOMY AND LIMB SAFETY

Keep anatomy especially clean and readable.

For each human character:
- exactly 1 head
- exactly 1 torso
- exactly 2 arms
- exactly 2 hands
- exactly 2 legs
- exactly 2 feet

unless the reference character canonically has different anatomy.

Do NOT create:
- extra arms
- extra hands
- extra legs
- extra feet
- duplicated limbs
- floating hands
- fused hands
- fused legs
- duplicate elbows
- duplicate knees
- impossible shoulder joints
- broken wrists
- limbs passing through bodies
- ambiguous shared limbs

Every arm should visibly connect:
shoulder → upper arm → elbow → forearm → wrist → hand.

Every leg should visibly connect:
hip → thigh → knee → lower leg → ankle → foot.

Each hand belongs to only one character.
Each foot belongs to only one character.

When the two characters physically contact each other,
all limbs must remain visually separable and traceable.

If necessary,
simplify clothing folds, hair, or camera perspective to preserve clean anatomy.

ANATOMICAL CORRECTNESS IS MORE IMPORTANT THAN COMPLEXITY.

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HAND SAFETY

Render hands especially carefully.

Each visible human hand should have:
- one palm
- one thumb
- four fingers

No extra fingers.
No fused fingers.
No duplicate hands.

Character A’s two supporting hands must both be visible around Character B’s knee area whenever possible.

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NONHUMAN SUBJECTS

If either attached subject is:
- an animal
- mascot
- plush character
- creature
- stylized nonhuman character

preserve the original anatomy and species traits.

Do not add human limbs they do not possess.

Do not convert paws into realistic human hands unless that is part of the original design.

Adapt the Saboten support structure as faithfully as possible to their anatomy.

Do not add extra:
- ears
- tails
- wings
- horns
- paws

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STYLE

Match the visual rendering style of the attached references as closely as possible.

If the references are:
- anime-style → preserve anime-style rendering
- semi-realistic → preserve semi-realistic rendering
- 3D CG → preserve polished 3D CG
- mascot-like → preserve mascot construction
- photorealistic → preserve realistic rendering

Do not unnecessarily reinterpret the characters into another medium.

The finished scene should feel:
- cute
- polished
- lively
- funny
- charming
- visually clean

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FINAL PRIORITIES

1. Exactly TWO attached subjects.
2. Preserve both identities.
3. Preserve their natural relative body scale.
4. Reproduce ONLY the classic two-person Saboten structure.
5. Character A stands slightly BEHIND Character B.
6. Character A uses a medium-height half-squat, NOT a deep squat.
7. Character B stands on Character A’s THIGHS near the knees.
8. Character B’s feet must remain clearly BELOW and separate from Character A’s shoulders.
9. Character A supports Character B around the KNEES, NOT the ankles, feet, or shoes.
10. Character A’s face must NOT be centered between Character B’s legs.
11. Character B remains upright with both arms extended outward like cactus branches.
12. No shoulder riding, piggyback, back-standing, crawling-base pose, or airplane pose.
13. Keep anatomy correct and all limbs easy to trace.
14. No extra limbs or duplicated hands.
15. Use stylish casual clothing unless otherwise requested.
16. The background is flexible and may be indoors or outdoors.
17. The background must remain secondary to pose accuracy and character readability.
18. Use only 1 or 2 short handwritten dialogue-style text elements.
19. Invent the dialogue freely to match the actual illustrated moment.
20. Add only a few emotion- or motion-related doodles.
21. Prioritize accurate support structure over dramatic composition or environmental detail.